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Benjamin
Penhallow Shillaber (1814-1890)
consistently appears in early anthologies of American humor. "BP" was best
known for his creation of the lovable, ditzy literary character Mrs.
Partington, prone to Malapropisms. Examining her first daguerreotype, Mrs.
Partington noted, for example, that the "phismahogany" in the portrait had
excellent "cemetery". Shillaber published the collected writings and
sayings of Mrs. Partington in 1854 and listed himself as her editor. Mrs.
P’s mischievous grandson Ike is considered by some, the forerunner to bad
boy Tom Bailey, by another Portsmouth writer Thomas
Bailey Aldrich . His "Story of a Bad Boy"
was then a prototype for Mark Twain’s
"Tom Sawyer
".
Mrs. P was among the most quoted "women" of the 19th century. Mark Twain
was so taken by her, that he copied her likeness
exactly when portraying Aunt Polly in his "Adventures of Mark Twain." I’m
convinced, after staring at the picture, that BP Shillaber actually posed
for the famous illustration of Mrs. Partington – but that’s another
story.
Shillaber lived in Portsmouth for only 16 years, then worked on a
newspaper in Dover before moving to Boston at age 18. In a way, Mrs.
Partington’s humor was a reflection of Shillaber’s early New Hampshire
country innocence which he managed to retain while living and working the
rest of his life in the big city. Asked how she liked the bustle of
Boston, Mrs. Partington once replied that they were hard to wear and kept
slipping out of place. Shillaber published five books in which Mrs.
Partington appears. Details of his life in Portsmouth are scarce, but
Shillaber often wrote about Portsmouth in his poetry.
Shillaber’s boyhood home no longer stands in Portsmouth, It was a
little shack of a building that, according to an 1850 map of Portsmouth
was just off McDonough Street down by the old Steam Factory near the
railroad track on the North Mill Pond. It is gone now. Another historic
house lost to progress, we assume.
Gone too is the reputation of old BP, except in scholarly journals on
the study of early vernacular writing. Shillaber was editor of a New York
weekly newspaper called "The Carpet Bag" and was among the first to
publish and encourage Twain’s comic writing.
Admittedly, Shillaber was no Twain, but he had a comic view that might,
in another time, have made him a writer on Saturday Night Live. Among the
following poems is Shillaber’s clever parody of "The Raven" published just
a few years after it was released by Edgar Allan Poe. –
JDR
Sources: Rhymes With Reason and Without by BP Shillaber,
1854 and Benjamin Penhallow Shillaber by John Q. Reed, Twayne’s
United States Author Series, 1972.
READ ALSO: Blood on the Snow in Portsmouth READ ALSO: The
Ballad of Frenchman's Lane

MORE
POEMS BY BP SHILLABER
From Rhymes
With Reason and Without (1854)
[TOP]
THE OLD PRINTER By BP
Shillaber
I see him at his case, With his anxious cheerless face, Worn and
brown; And the types’ unceasing click, As they drop within his
stick, Seems of Life’s old clock the tick, Running down.
I’ve known him many a year, That old Type, bent and queer, -- Boy
and man; -- Time was when step elate Distinguished his gait, And
his form was tall and straight, We now scan.
I’ve marked him, day by day, As he passed along the way To his
toil; He’s labored might and main, A living scant to gain, And
some interest small attain In the soil.
And hope was high at first, And the golden sheet he nursed, Till
he found That hope was but a glare In a cold and frosty air, And
the promise, pictured fair, Barren ground.
He n’er was reckoned bad, But I’ve seen him smile right glad At
"leaded" woes, While a dark and lowering frown Would spread
his features round, Where virtue’s praise did sound, If‘t were
"close."
Long years he’s labored on, And the rosy hues are gone From his
sky; For others are his hours, For others are his powers, -- His
days, uncheered by flowers, Flitting by.
You may see him, night by night, By the lamp’s dull dreamy
light, Standing there; With cobweb curtains spread In festoons
o’er his head, That sooty showers shed In his hair.
And when the waning moon Proclaims of night the noon, If you
roam, You may see him, weak and frail, As his weary steps do
fail, In motion like the snail, Wending home.
His form by years is bent, To his hair a tinge is lent Sadly
gray; And his teeth have long decayed, And his eyes their trust
betrayed, -- Great havoc Time has made With his clay!
But soon with come the day When his form will pass away From our
view, And the spot shall know no more The sorrows that he
bore, Or the disappointments sore
That he knew. .
[TOP]
MYSTERIOUS RAPPINGS By BP SHillaber
Late one evening I was sitting, gloomy shadows round Me flitting,--
Mrs. Partington, a-knitting occupied the grate before; Suddenly I
heard a patter, a slight and very trifling matter, As if it were a
thieving rat or mouse within my closet door; A thieving and mischievous
rat or mouse within my closet Door,--Only this, and nothing more.
Then all my dreaminess forsook me; rising up, I straight- Way shook
me, A light from off the table took, and swift the rat’s dstruc-tion
swore; Mrs. P. smiled approbation on my prompt determination, And
without more hesitation oped I wide the closet door; Boldly, without
hesitation opened wide the closet door; Darkness there, and nothing
more!
As upon the sound I pondered, what the deuce it was I
Wondered; Could it be my ear had blundered, as at times it had
Before?
But scarce again was I reseated, ere I heard the sound repeated, The
same dull patter that had greeted me from out the Closet door; The
same dull patter that had greeted me from out the closet door; A gentle
patter, nothing more.
Then my rage arose unbounded,--"What," cried I, "is This
confounded Noise with which my ear is wounded—noise I’ve never
Heard before? If’t is presage dread of evil, if’t is made by ghost
or devil, I call on ye to be more civil—" stop that knocking at
the Door!’ Stop that strange mysterious knocking there, within my
closet door; Grant me this, if nothing more."
Once again I seized the candle, rudely grasped the Latchet’s
handle, Savage as a Goth or Vandal, that kicked up rumpuses
of Yore,-- "What the dickens is the matter," said I, "to
produce this patter?" To Mrs. P, and looked straight at her. "I
don’t know," Said she, "I’m shore; Lest it be a pesky rat, or
something, I don’t know, I’m Shore." This she said, and nothing
more.
Still the noise kept on unceasing;
evidently ‘t was increasing; Like a cart-wheel wanting greasing, wore
it on my nerves Full sore; Patter, patter, patter, patter, the rain
the while made noisy clatter, My teeth with boding ill did chatter, as
when I’m troubled By a bore— Some prosing, dull, and dismal fellow,
coming in but just To bore; Only this, and
nothing more.
All night long it kept on tapping; vain I laid myself
for Napping, Calling sleep my sense to wrap in darkness till the
night Was o’er; A dismal
candle, dimly burning, watched me as I lay There turning, In desperation wildly yearning that sleep would visit
me Once more; Sleep, refreshing sleep, did I most urgently
implore; This I wished, and nothing more.
With the day I rose next
morning, and, all idle terror Scorning, Went to finding out the
warning that annoyed me so Before; When straightway, to my consternation, daylight made the
revelation of a scene of devastation that annoyed me very sore, such
a scene of devastation as annoyed me very sore; that it was, and nothing more:
The rotten roof had taken leaking, and the rain, a
passage Seeking, Through the murky darkness sneaking, found my
hat-box On the floor; There, exposed to dire disaster, lay my
bran-new Sunday Castor, And its hapless, luckless master ne’er shall
see its beauties More— Ne’er shall see its glossy beauty, that his
glory was before; It is gone, forevermore!
[TOP]
BALLAD OF THE
PISCATAQUA By BP Shillaber [a slight affectation of the antique.] Bloody Fight
Point.
In the younger days of the
colonies, When minions of the king held sway, Ere the towns in pride
began to rise By swift Piscataqua,
Beside its ever-restless tide Lay two plantations fiar; A fertile
point did them dividie, Of excellence most rare.
Then out spoke Captian Wiggin, bold,-- Captian Thomas was he
hight,-- "This point is goodly to behold, With richest worth
bedight;
"And here I’ll plant the yellow grain, And here the axe shall
sound, And golden crops shall crowd my wain, And plenty aye
abound."
Then up spake Captain Walter Neal— "Now, by my faith, not so! To
weapons dire I’ll make appeal, Ere onward thus thou ‘lt go.
"For unto the Lower Plantation Doth this fair point belong, And
I, for its full possessions, Will battle long and strong."
Then stoutly spoke Captain Thomas, For a gallant man was
he: "When you’re able to take it from us, To yield it I’ll
agree."
Then Captain Neal turned deadly white, Brim full was he of
rage; He ground his teeth in fearful spite, And threatened war to
wage.
And Captain Thomas Wiggin, he Looked stern and very wroth, And
vowed a fight he’d like to see, For combat nothing loth.
Great woe did seize good people then, Such sad thing for to
see, As two so gallant gentlemen Thus sorely disagree.
And interpose?d did their word, The discord to allay; And peace
again their bosoms stirred, Before so fierce for fray.
Then "Bloody Fight Point," that spot was hight; Not from its hue, I
ween, Nor yet for its ensanguined fight, But ofr blood it
might have seen,
Had Captain Wiggin and Captain Neal There met in mortal
fight, And the artbitration of biting steel Had settled their
quarrel right.
Now Bloody Fight Point is a peaceful spot, On Newington’s tranquil
shore, And Neal and Wiggin are both forgot, Save in history’s musty
lore.
Footnote: A severe contest arose between the agents of the two
plantations (now Dover and Portsmouth) respecting the settlement of a
point of land which extended into the river from the south-western shore,
and which was equally convenient for both plantations. Wiggin began to
make improvements upon it; Neal ordered him to desist. Wiggin persisted,
and threatened to defend his right by the sword; Neal replied in the same
determined manner, and they would have proceeded to extremities, if some
more moderate persons had not persuaded them to refer the dispute to their
employers. From these circumstances the contested place was called "Bloody
Fight Point," and still retains that name.—Adams Annals of Portsmouth
[TOP]
THE CONSUMPTIVE By BP Shillaber
She faded, O, she faded! And the roses fled her cheek, And her
voice, that caroled like a bird’s, Grew tremulous and weak! Her
parched lips softly whispered The sweet words she would say, And her
cold, thin hand was pale and still As the sheet whereon it lay.
But her spirit glowed the brighter, As her mortal end drew
nigh,-- It beamed with heavenly radiance In the luster of her
eye; She seemed to borrow glories From the world she nearer
drew, And, as the form of earth decayed, Her angel nature grew.
And patiently, how patiently! She pressed her bed of pain, As,
sun by sun, the days declined, And then renewed again; Her Father’s
hand she recognized, And kissed the chastening rod, And calmly
waited for the hour When she should soar to God.
And friends who gathered round her Took comfort from her
tone; They felt that she was not for earth’s , But heaven’s joys
alone; And when the angel severed The ties that bound her
here, Her transit filled their hearts with joy— Their own loss
claimed a tear.
O, Death! When thus approaching, An angel form you take, And pour
the healing balm for hearts That otherwise might break, We see they
path a way of light, Ascending to the sky, And pray an end thus
fraught with bliss— A death thus blest to die
[TOP]
Photo of BP courtesy Portsmouth
Athenaeum/ Introduction
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